By Nicola Colecchia
Many museums, paintings exhibitions and galleries are trying to find new languages to teach the viewers their masterpieces. This essay is a technical resolution to this need.
The language proposed here's the sub-symbolic language of the neural networks, that is in response to the bottom-up method.
The merits of such process are as follows:
a) The that means of a piece emerges steadily from its actual, perceptive and sensible features in accordance with the self-generating precept of the dynamic systems;
b) the distance language of the murals is remodeled right into a sequential tale. for that reason within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite occurs via detailed neuroscientific standards, varied from the unfastened interpretations of the creative;
d) the entire narration is configured in accordance with a cluster research, said within the final pages of this essay.
AUTHOR OF THE ESSAY:
Nicola Colecchia, prior researcher of common Psychology at the college of Bologna, now directs Synapticart, Laboratory of paintings and technology (www.synapticart.org), the place particular study on inventive and comprehension methods of artwork works (paintings, layout, installations, structure) is conducted.
Through an interdisciplinary strategy in keeping with the self-generating precept of neural networks, he has elaborated works by means of nice artists of a while and locations intentionally various from one another, so as to spot probably universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.
Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to augment the horny energy in their masterpieces. in truth the sub-symbolic language is “automatically” produced and understood either via the artist and by way of the observer’s of the paintings since it relies on an in-born code , which contains everybody’s brain and physique, unbeknown to them.
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Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia